The set of pieces was organized in such a way as to convey information and sensations about a
quite peculiar artistic production. This universe is not perfectly translatable into words; they are windows that open to another world, with canvases, installations and murals in urban spaces, which play with the imagination of visitors, collectively or individually.

The exhibition attracted more than 833,000 visitors at CCBB Rio de Janeiro, between October 2022 and
January 2023, contributing to the institution entering the list of the 100 most visited of 2022 of the website The Art Newspaper. Later, it was also mounted at CCBB Belo Horizonte, where it ran from February to May 2023. There, he received the unpublished module “Thus I embroidered my dreams”, dedicated to the work of the mother of OSGEMEOS, Margarida Pandolfo.

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The exhibition provided a detailed and exciting overview of impressionist and post-impressionist painting. The artists of this 19th century movement, which emerged in France in the 1870s, painted from their sensations and direct contact with the landscape, without the concern for the fidelity of the image. His works depicted Paris from different angles, from urban life to quiet in the countryside.

Separated into six modules, it was possible to meet great consecrated masters of French painting – three of them dedicated to presenting the effervescence of modern Parisian life, with paintings by Pierre-August Renoir and Edgar Degas, for example, and three others who showed painters who escaped the hustle and bustle of the city, such as Vincent van Gogh and Claude Monet.

Undoubtedly, it was a unique opportunity, in which art lovers were able to confer the diversity of creation of this time in a grand exhibition, not only for its historical value, but also for its artistic importance.

Curated by the president and chief curator of the Musée, Guy Corgeval and Caroline Mathieu, and the director general of the Mapfre Foundation Culture Institute, Pablo Jiménez Burillo, the organization of the exhibition was the responsibility of Expomus, chosen by the director of the Musée museum and the MAPFRE Foundation.

Impressionism: Paris and Modernity had the support of the Ministry of Culture, through the Rouanet Law, and was only possible thanks to the idealization of Fundación MAPFRE and the Museu d’Orsay, the sponsorship of the Banco do Brasil insurance group and MAPFRE, Banco do Brasil and BBDTVM, and the support of Cielo and Brasilprev, with promotion of globo network.

With 886,226,000 visitors, at CCBB SP (4/8/2012 to 7/10/2012) and CCBB RJ (22/10/2012 to 13/1/2013), the exhibition was a record audience in the history of CCBB and won 4 awards: Best international exhibition, by the São Paulo Association of Art Critics – APCA; Best exhibition of 2012, by O Globo; Best exhibition of 2012 and Best event of the year 2012 by the Folha Guide – Popular Jury.

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Presented at CCBB São Paulo, where it received more than 235,000 people, and ccbb Rio de Janeiro, with 620,000 visitors, Picasso and Spanish Modernity was the most visited exhibition in the world among post-impressionist and modern art in 2015, according to the magazine’s ranking The ArtNewspaper.

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The exhibition, an exhibition of the Musée d’Orsay, was organized in 4 modules and presented 74 works from the museums d’Orsay and l’Orangerie, from more than 30 artists who sought new paths to painting, starting an aesthetic revolution in the arts through the use of color. The curatorship was pablo Jimenez Burillo, director of Culture of fundación MAPFRE, and Guy Cogeval, president of the Musée d’Orsay. The scientific curatorship was by Isabelle Cahn, curator of the Musée d’Orsay.

The Triumph of Color it was the second exhibition held by the Musée d’Orsay in Brazil, preceded by the exhibition Impressionism: Paris and modernity – Masterpieces of the Musée d’Orsay , also performed by Expomus.

The exhibition received an audience of more than 922,000 visitors in 137 days (between São Paulo and Rio de Janeiro), representing a milestone in the formation of public and a unique opportunity to contact emblematic works of the world heritage.

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In 10 modules, paintings, papers, prints, drawings and personal objects of Klee, the exhibition announced the trajectory of the artist and thinker. Paul Klee is an artist to whom you cannot simply attribute a particular style. ‘I am my style,’ he recorded self-confidently in his diary in 1902.

The set of selected works covered the entire period of Klee’s artistic life, presenting rare and little-known works from his youth, still at the end of the 19th century. It was therefore a fundamental exhibition about the artist.

The show was exhibited at the CCBBs of São Paulo, Rio de Janeiro and Belo Horizonte, from February to November 2019.

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