The initiative started from a strategic work of institutional positioning and conceptual orientation, which contemplated an integrated look between the demands of management, safeguarding, research and communication museological.

The new exhibition occupies two floors and four distinct galleries, which, in turn, are divided into rooms or exhibition niches. It is a unique and cohesive project, whose narrative is presented in seven modules that weave the medium’s life trajectory.

In addition to contextualizing facts and aspects of Chico Xavier’s biography, the expository narrative highlights the medium’s relationship with the city of Uberaba, the important social role he played and the universal values inherent to his discourse and practice.

In order to sensitize visitors to the spiritual experiences lived by Chico Xavier, the exhibition makes use of immersive experiences and technology resources. It also has various physical accessibility and content resources for people with disabilities.

In this way, the requalification project provided the emergence of a cultural equipment of reference in the city and region, aimed at disseminating the humanist values present in the legacy of Chico Xavier.

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O post Memorial Chico Xavier apareceu primeiro em Expomus.

Supported by a cultural and participatory program that intertwines the Jewish experience with Brazilian culture and contemporary art, MUJ was born committed to the coexistence between the various social groups and identities, to the fight against intolerance and prejudice, to education and intergenerational transmission, values at once universal and Jewish. The museum is housed in the building of the old Beth-El temple, in the central region of São Paulo, listed by the municipal heritage.

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O post Jewish Museum of São Paulo apareceu primeiro em Expomus.

Expomus acted in the museological coordination of the implementation of the space, inaugurated in November 2021 in the restored building of the old House of Chamber and Jail, of the Florianópolis City Hall, which granted the management of the equipment to the Social Service of Commerce (Sesc-SC) for 20 years.

The Museum was born with the objective of promoting continuous reflection on the territory, the dynamics of construction, occupation and transformation of urban space, in its different dimensions: historical, geographical, cultural and symbolic, where temporalities converge and interpenetrate, through the exhibition of physical collections, technology, interactivity and its multidisciplinary educational program, comprehensive and inclusive.

Based on an innovative concept, the Museum of Florianópolis brings characteristics of historical museums, preserving the memory of the Capital of Santa Catarina, while looking at the present time to understand the complexity of the issues of the city today, in order to open a dialogue for the future. Using different technologies and exposing important collections, the space should position itself in the museological scenario of the municipality as an interlocutor to address emerging issues, bring different voices of the population.

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O post Museum of Florianópolis apareceu primeiro em Expomus.

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O post Encompassing the Globe: Portugal and the Worlds of the 16th and 17th Centuries apareceu primeiro em Expomus.

The recognition of the cultural richness of this pre-Columbian people began to spread throughout the world from the 19th century on. In the last decades of the last century, when its writing system was completely deciphered, Mayan culture definitely aroused multiple interests in various segments of society.

Brazil and Mexico have come together in an unprecedented partnership to present civilization that has flourished for centuries in much of the American continent. The result was an unprecedented exhibition in the country, capable of translating and revealing the cultural scope of the Mayan civilization in the fields of art, architecture and astronomical and mathematical studies.

The exhibition, which received 152,000 visitors, was a realization of the National Institute of Anthropology and History (INAH) of Mexico, the Embassy of Mexico, the Museum of the City – Oca and the City of São Paulo. It was supported by the Ministry of Culture, through the Federal Law of Incentive to Culture – Rouanet Law, and the sponsorship of Banco Itaú, Embratel, Claro and Caixa Seguros, in addition to the support of Femsa and Pullman. It also had the support of PROAC – Cultural Action Program of the Government of the State of São Paulo.

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O post Mayas: revelation of an endless time apareceu primeiro em Expomus.

Expomus worked in the design of the museum plan and coordinated the elaboration of executive projects of museography, expography, visual communication and technology and carried out museum monitoring and coordination of the execution of the requalification of the Museum. In May 2014, the end of the restoration, the Museum was opened to the public, with its refurbished facilities, a long-term exhibition and its collection again available for consultation and research.

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O post São Paulo State Immigration Museum apareceu primeiro em Expomus.

Jamaica Jamaica! it brought together rare objects, images and films found in private collections and museums in Jamaica, the United States and the United Kingdom. Giving the floor to Jamaican artists, the exhibition sounded like a cry, an appeal, through this song that became the spokesperson for the indignation of a people and that takes its supplication far beyond the borders of Jamaica, to make it one of the most popular songs in the world.

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O post Jamaica Jamaica! apareceu primeiro em Expomus.