Research carried out by the Institute for the Future points out that 85% of the professions that will exist in 2030 have not even been created yet. “The speed and sophistication of technological innovations are responsible for this percentage that challenges the present to imagine what the future of work and professions will be like. Transformations in professions do not occur in a linear or homogeneous way. Some regional and social markers define much of what each one ‘will be when they grow up'”, say André Couto, Maria Carla Corrochano and Paulo Pontes, who sign the curatorship.

In the exhibition, it is clear that transformations do not occur equally – gender, race, class, territory and education continue to dictate who accesses certain professions. In times of technological advancements and global challenges such as climate change and pandemics, work becomes increasingly unpredictable — but also full of new possibilities.

Accessible and provocative, the exhibition articulates past, present and future, based on data, real experiences, digital interactions and informative content about professions that are disappearing, reinventing themselves or being born in the face of new technologies and ways of life.

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O post The Future of Professions apareceu primeiro em Expomus.

With an architectural project by the Gustavo Penna Arquitetos Associados office, the Memorial was installed at the site of the rupture and had the collaboration of Expomus in the constitution of the collection and in the formation of teams on the subject of sensitive memories.

The Brumadinho Memorial is dedicated to remembering and honoring each of the 272 lives, through exhibitions, collection production, research and educational actions, mobilizing dynamics of reflection on the tragedy.

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O post Memorial Brumadinho apareceu primeiro em Expomus.

With museological coordination and production by Expomus and curated by design historian Adélia Borges, the project brought together 930 items acquired over decades, since the mid-1960s, in the states of Rio Grande do Sul, Santa Catarina and Paraná, produced by European immigrants in southern Brazil between the second half of the 19th century and the beginning of the 20th century.

The collection represents the social imaginary and daily life of German and Italian immigrants and reveals personal aspects of the domestic universe of people who sought to build a new life. The works combine the memories, techniques and customs brought by immigrants from their homeland, on the one hand, and the conditions and materials they found in the land of adoption, on the other.

Divided into ten thematic sections and a video room, the exhibition was designed to emphasize the beauty and design of pieces that were not created for the elite, but for ordinary people, who contributed to the formation of a collective memory based on cultural exchanges. By coming into contact with the collection, the public will be able to recognize elements that may be part of their own stories. This identification happens because, as it is daily, the collection can gain personal meanings for each visitor.

A part of the collection was presented at the exhibition Artifacts of the South – Legacies of German and Italian Immigration, held in 2024, in Porto Alegre, in celebration of the 200th anniversary of German immigration in Rio Grande do Sul and the 150th anniversary of Italian immigration in Brazil. The exhibition had its early closure due to the floods that hit the state.

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O post Design and everyday life in the Azevedo Moura collection apareceu primeiro em Expomus.

The initiative started from a strategic work of institutional positioning and conceptual orientation, which contemplated an integrated look between the demands of management, safeguarding, research and communication museological.

The new exhibition occupies two floors and four distinct galleries, which, in turn, are divided into rooms or exhibition niches. It is a unique and cohesive project, whose narrative is presented in seven modules that weave the medium’s life trajectory.

In addition to contextualizing facts and aspects of Chico Xavier’s biography, the expository narrative highlights the medium’s relationship with the city of Uberaba, the important social role he played and the universal values inherent to his discourse and practice.

In order to sensitize visitors to the spiritual experiences lived by Chico Xavier, the exhibition makes use of immersive experiences and technology resources. It also has various physical accessibility and content resources for people with disabilities.

In this way, the requalification project provided the emergence of a cultural equipment of reference in the city and region, aimed at disseminating the humanist values present in the legacy of Chico Xavier.

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O post Memorial Chico Xavier apareceu primeiro em Expomus.

Expomus acted in the full museological advisory of the SESI Lab project, from its conceptualization and conception to its total implementation, working in partnership with the Exploratorium, a museum in San Francisco, in the United States. Expomus was also responsible for the conception and production of the temporary exhibition The Future of Professions, the first original exhibition held by SESI Lab and opened together with the inauguration of the space.

SESI Lab was installed in the heart of the federal capital, an iconic building originally designed by Oscar Niemeyer, with almost 7,500 square meters. The architectural requalification was carried out by Gustavo Penna Architects & Associates.

The multidisciplinary program proposed for the space is guided by a creative and innovative educational approach, including temporary and permanent exhibitions, festivals, seminars, workshops, artistic residencies, cinema, as well as activities oriented to maker culture.

In SESI Lab’s DNA are the social and educational technologies developed decades ago by the Social Service of Industry (SESI) and the National Service for Industrial Learning (SENAI) in order to connect the space to the new demands and rapid changes of the world to propose actions, collect ideas and value diversity.

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O post SESI Lab apareceu primeiro em Expomus.

In 2021, the Site was reopened after undergoing a complete requalification process, under the general coordination of Intermuseus and with Expomus acting in the museological requalification. The project included the updating of the environments of the property, maintaining its essence as spaces inhabited by the great figure who was the landscape architect Roberto Burle Marx. The objectives were also to expand the capacity of the place and to receive visits in a more accessible and qualified way. The initiative was sponsored by BNDES.

In the same year of its reopening, the Roberto Burle Marx Site was considered a World Heritage Site by UNESCO.

Since 1985 the Site is a special unit linked to the Institute of National Historical and Artistic Heritage (Iphan), fulfilling the role of preserving, researching and disseminating the life and work of Roberto Burle Marx.

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O post Roberto Burle Marx Site apareceu primeiro em Expomus.

Supported by a cultural and participatory program that intertwines the Jewish experience with Brazilian culture and contemporary art, MUJ was born committed to the coexistence between the various social groups and identities, to the fight against intolerance and prejudice, to education and intergenerational transmission, values at once universal and Jewish. The museum is housed in the building of the old Beth-El temple, in the central region of São Paulo, listed by the municipal heritage.

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O post Jewish Museum of São Paulo apareceu primeiro em Expomus.

Expomus acted in the museological coordination of the implementation of the space, inaugurated in November 2021 in the restored building of the old House of Chamber and Jail, of the Florianópolis City Hall, which granted the management of the equipment to the Social Service of Commerce (Sesc-SC) for 20 years.

The Museum was born with the objective of promoting continuous reflection on the territory, the dynamics of construction, occupation and transformation of urban space, in its different dimensions: historical, geographical, cultural and symbolic, where temporalities converge and interpenetrate, through the exhibition of physical collections, technology, interactivity and its multidisciplinary educational program, comprehensive and inclusive.

Based on an innovative concept, the Museum of Florianópolis brings characteristics of historical museums, preserving the memory of the Capital of Santa Catarina, while looking at the present time to understand the complexity of the issues of the city today, in order to open a dialogue for the future. Using different technologies and exposing important collections, the space should position itself in the museological scenario of the municipality as an interlocutor to address emerging issues, bring different voices of the population.

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O post Museum of Florianópolis apareceu primeiro em Expomus.

The set of pieces was organized in such a way as to convey information and sensations about a
quite peculiar artistic production. This universe is not perfectly translatable into words; they are windows that open to another world, with canvases, installations and murals in urban spaces, which play with the imagination of visitors, collectively or individually.

The exhibition attracted more than 833,000 visitors at CCBB Rio de Janeiro, between October 2022 and
January 2023, contributing to the institution entering the list of the 100 most visited of 2022 of the website The Art Newspaper. Later, it was also mounted at CCBB Belo Horizonte, where it ran from February to May 2023. There, he received the unpublished module “Thus I embroidered my dreams”, dedicated to the work of the mother of OSGEMEOS, Margarida Pandolfo.

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O post OSGEMEOS: Our Secrets apareceu primeiro em Expomus.

This is the fifth museum of the Butantan Institute, which has been working with education, teaching and dissemination of knowledge since its foundation. In the long-term exhibition, the public can visualize the stages of conducting a scientific research of a vaccine, know the vaccine technological platforms, the functioning of the immune system and immune memory of the human body, the reaction of the vaccinated organism, among other interactive activities.

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O post Vaccine Museum apareceu primeiro em Expomus.